{"title":"2000S","description":"","products":[{"product_id":"the-holy-bible-old-testament","title":"The Holy Bible: Old Testament","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn this limited-edition artist’s book, David Hammons revisits Arturo Schwarz’s seminal catalogue raisonné, “The Complete Works of Marcel Duchamp”, by simply rebinding it to resemble a Bible. The result is an object that combines reverence with irony. The intervention draws attention to the almost religious status Marcel Duchamp has acquired in postmodern art and questions the process of his canonization. The designation “Old Testament” adds a wry suggestion that new artistic revelations may yet follow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCharacteristic of Hammons’s practice, the work combines homage and critique through appropriation, alteration, and conceptual play. By transforming an existing book, Hammons raises questions about authorship and artistic authority. His name is absent from the cover and appears only as a signature, highlighting his interest in the logic of the readymade, as well as in the relationship between the copy and the original.\u003c\/span\u003e\u003c\/p\u003e","brand":"metabooks-dev","offers":[{"title":"Default Title","offer_id":53801234563411,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/8898\/6963\/files\/HolyBible_9f412f77-1d21-4709-975f-74d82f3fa0cd.png?v=1779270704"},{"product_id":"lolitadzioz","title":"Lolitadzioz","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJonathan Meese’s artistic practice is propelled by a playful yet grotesque sensibility, constructing a personal microcosm shaped by his enduring obsessions with both high and low culture. Pornographic imagery coexists with figures as diverse as the Marquis de Sade, Richard Wagner, Stanley Kubrick, Francis Bacon, and John Wayne, all absorbed into a sprawling mythology that collapses distinctions between history, popular culture, fiction, and ideology. At once irreverent and deeply informed, Meese’s imaginary universe shares affinities with Mike Kelley’s exploration of the Freudian uncanny, where familiar icons return in unsettling and often absurd forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThroughout his anarchic and wide-ranging oeuvre, Meese continually expands this mythology through painting, performance, drawing, and installation, appropriating historical, mythical, and cinematic protagonists to interrogate systems of power, authorship, and belief. In this self-published stapled booklet, from an edition of 40 (each unique), he brings together his deliberately naïve drawings of heroes and nemeses with two original photographs, magazine clippings, and loose illustrations, weaving them into a fragmented visual narrative. Oscillating between parody and provocation, the publication extends Meese’s investigations into ideology and what he famously calls the \"dictatorship of art.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Metabooks","offers":[{"title":"Default Title","offer_id":54027731009875,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/8898\/6963\/files\/100_cover.png?v=1781772166"},{"product_id":"lupetto-0","title":"Lupetto #0","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLupetto #0\u003c\/span\u003e\u003cspan\u003e is a 2001 artist’s book conceived in the form of a pilot magazine issue. Edited in collaboration with Miyake Akiko, the publication was developed by Maurizio Cattelan during his residency as a visiting professor at the CCA Kitakyushu in November 2000. The volume brings together more than 100 reproductions of postmodern artworks selected from the institution’s exhibition catalogues.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIts final assemblage evokes the visual language of other periodical projects edited by Cattelan, including “Permanent Food”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eand “Toilet Paper”. Structured as a meta-catalogue—a catalogue of catalogues—the book operates simultaneously as a pantheon of contemporary art and as a fictional museum exhibition transposed into the format of an artist’s book. Through an accumulation of images and references, artists such as Mike Kelley, Cindy Sherman, Nan Goldin, John Baldessari, and Richard Prince are brought into spontaneous dialogues, creating a fragmented, yet well curated, portrait of postmodern art.\u003c\/span\u003e\u003c\/p\u003e","brand":"Metabooks","offers":[{"title":"Default Title","offer_id":54062196588883,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/8898\/6963\/files\/Lupetto_0.png?v=1782119042"},{"product_id":"krishnamurti-freedom-from-the-known","title":"Krishnamurti. Freedom from the Known","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSince 2001, Salon Verlag has invited more than thirty artists to transform existing publications of their choice into artist's books in the fullest sense of the term. These \"metabooks\" are published under the \u003c\/span\u003e\u003cspan\u003eEX LIBRIS\u003c\/span\u003e\u003cspan\u003e series, and include interventions by artists such as Louise Bourgeois, Thomas Ruff, Mark Dion, Albert Oehlen, Thomas Demand, Gregor Schneider, Peter Doig, Luc Tuymans, and Berlinde De Bruyckere. For each title, Salon Verlag has also produced a limited collector's edition accompanied by a limited-edition ex-libris (a print or a unique artwork).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor his “metabook” at Salon Verlag, Wolfgang Tillmans chose to intervene in an anthology of excerpts from Jiddu Krishnamurti, selected and edited by Mary Lutyens. In describing his intervention, the artist recalls the trajectory that led him to the philosopher's writings:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\"I first came across the name Krishnamurti when studying at Bournemouth College in the early 1990s; my tutor Tony Maestri referred to him occasionally. Then Gilbert \u0026amp; George mentioned him to me when I portrayed them in 1997. In 2002 I then saw a notice in a Quaker meeting house announcing Krishnamurti video screenings. I went and bought some books and felt very at home and inspired by his writing and thinking. I often observe that it takes three cues until one acts on something. After the third time hearing his name, I acted upon it. \u003c\/span\u003e\u003cspan\u003eFreedom from the Known\u003c\/span\u003e\u003cspan\u003e is my favourite book of the few of his I own. It works as a whole but also particularly well when just opened up at any page and read for three or four pages. The design of the paperback cover seemed perfect as it was, so for the Ex Libris I didn’t want to take away the cover photographed by Cecil Beaton. Instead I designed a dust jacket for which I used my photograph paper drop (Krishnamurti) 2005.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBy intervening only at the level of the cover, Tillmans preserves the original publication while introducing a new visual and conceptual layer through his own image. This gesture resonates with Krishnamurti's rejection of authority and inherited truths: rather than proposing a system of belief, he advocated direct experience in the pursuit of knowledge. 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Pornographic imagery coexists with figures as diverse as the Marquis de Sade, Richard Wagner, Stanley Kubrick, John Wayne, and Egyptian pharaohs, all absorbed into a sprawling mythology that collapses distinctions between history, popular culture, fiction, and ideology. At once irreverent and deeply informed, Meese’s imaginary universe shares affinities with Mike Kelley’s exploration of the Freudian uncanny, where familiar icons return in unsettling and often absurd forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThroughout his anarchic and wide-ranging oeuvre, Meese continually expands this mythology through painting, performance, drawing, and installation, appropriating historical, mythical, and cinematic protagonists to interrogate systems of power, authorship, and belief. 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In this tautological exercise, Purloined\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e– a term meaning to steal, filch, or take something dishonestly, often through stealth or a breach of trust – becomes both the title and the method. Kosuth uses 60 sheets from 60 different books to “write” a new novel: a fluid and seemingly coherent narrative assembled entirely from pre-existing texts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis veritable work of para-literature constitutes an ultimate act of appropriation: a piece of literature written in rigorously conceptual terms. Displaced from their original contexts, the sparse pages become the new “words” of a Kosuthian language, in which meaning is neither fixed nor intrinsic, but produced through juxtaposition and context.\u003c\/span\u003e\u003c\/p\u003e","brand":"Metabooks","offers":[{"title":"Default Title","offer_id":54245005132115,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/8898\/6963\/files\/Purloined.png?v=1783600436"},{"product_id":"gang-bang-at-ground-zero","title":"Gang Bang at Ground Zero","description":"","brand":"Metabooks","offers":[{"title":"Default Title","offer_id":54245534531923,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/8898\/6963\/files\/DashSnowBang.png?v=1783602675"},{"product_id":"bruce-lee","title":"Bruce Lee","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis publication is a meta-meta-appropriation of the biography “Bruce Lee: The King of Kung Fu. His Life, His Art, His Films and His Death” by Felix Dennis and Don Atyeo. Originally published by Straight Arrow Books, San Francisco, in 1974, the book was subsequently facsimilised in Arabic by the Modern Library, Beirut, in 1975. For this entirely visual re-publication, Dimitri Bruni and Manuel Krebs (also known as the Swiss graphic-design duo Norm) appropriated the Lebanese edition, whose pages carelessly reproduced newspaper and magazine clippings, unevenly printed in varying shades of grey and scattered across the pages without a fixed layout. When the duo encountered this impoverished edition, the impulse to give it a second life became evident:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“The brutalist attitude behind this book design inspired us to re-publish it. Our aim was to achieve the best possible reproduction of these already degraded images. 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All texts were in Arabic, hence not accessible to most of us anyway, and they would only have distracted attention from the images.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTextless, this publication rewrites the original biography entirely through images, reconstructing the portrait of Bruce Lee, a polymath whose ambition exceeded the twentieth century: martial artist, actor, filmmaker, health fanatic, teacher, philosopher, and Zen master.\u003c\/span\u003e\u003c\/p\u003e","brand":"Metabooks","offers":[{"title":"Default Title","offer_id":54245978931539,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/8898\/6963\/files\/BruceLee.png?v=1783604418"},{"product_id":"pukapuka-tohunga-mahi-toi","title":"Pukapuka Tohunga Mahi Toi","description":"","brand":"Metabooks","offers":[{"title":"Default Title","offer_id":54246611976531,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/8898\/6963\/files\/DanielK.png?v=1783605712"},{"product_id":"id-rather-drink-muddy-water-and-sleep-in-a-hollow-log","title":"I'd Rather Drink Muddy Water and Sleep in a Hollow Log","description":"","brand":"Metabooks","offers":[{"title":"Default Title","offer_id":54275428614483,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/8898\/6963\/files\/IdRather.png?v=1783779683"},{"product_id":"on-television-2001","title":"On Television 2001","description":"","brand":"Metabooks","offers":[{"title":"Default Title","offer_id":54275692200275,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/8898\/6963\/files\/OnTV.png?v=1783782774"},{"product_id":"milk-today-is-just-a-copy-of-yesterday","title":"\u0026 milk. 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In 2011, they represented the United States at the 54th Venice Biennale with \u003c\/span\u003e\u003cspan\u003eGloria\u003c\/span\u003e\u003cspan\u003e, a project combining live athletic performances and sculpture to examine competition, nationalism, militarism, and the military-industrial complex.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“Guantanamo Bay Song Book”, published by CCA Kitakyushu in 2009, takes the form of a deliberately raw volume. Conceived as a visual and conceptual translation of sound, it reproduces the lyrics of songs reportedly used by CIA interrogators during the torture of prisoners at the U.S.-operated Guantánamo Bay detention camp. The book exposes the use of loud, repetitive music as a psychological torture technique associated with acoustic bombardment, extreme stress, and sleep deprivation. Its eclectic repertoire ranges from Metallica’s “Enter Sandman” and Rage Against the Machine’s “Killing in the Name” to Christina Aguilera’s “Dirrty” and the children’s song “Sunny Day” from Sesame Street.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBy stripping these songs of their sound and presenting their lyrics as printed matter, Allora and Calzadilla transform an ostensibly familiar cultural archive into a stark political document. The book is a powerful example of how the artists use absence and silence to evoke violence: a publication that, paradoxically, seems to make more noise through silence than an audiobook could. Published as part of the CCA Artists’ Book Series in 2009, it followed the artists’ 2007 project “Unrealizable Goals” at the CCA Kitakyushu Project Gallery, a video work addressing Japan’s pacifist constitution, Article 9, and the tensions between national sovereignty and militarisation.\u003c\/span\u003e\u003c\/p\u003e","brand":"Metabooks","offers":[{"title":"Default Title","offer_id":54285962674515,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/8898\/6963\/files\/CCA_cover.png?v=1783867817"},{"product_id":"recueil-des-secrets-de-louyse-bourgeois","title":"Recueil des secrets de Louyse Bourgeois","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSince 2001, Salon Verlag has invited more than thirty artists to transform existing publications of their choice into artist’s books in the fullest sense of the term. Published under the \u003c\/span\u003e\u003cspan\u003eEx Libris\u003c\/span\u003e\u003cspan\u003e series, these “metabooks” include interventions by artists such as Wolfgang Tillmans, Thomas Ruff, Mark Dion, Albert Oehlen, Thomas Demand, Gregor Schneider, Peter Doig, Luc Tuymans, and Berlinde De Bruyckere. For each title, Salon Verlag has produced a limited-edition of ex libris multiples, and a collector’s edition accompanied by a unique work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor her “metabook”, Louise Bourgeois chose a historical publication written by the French midwife Louyse Bourgeois, known as La Boursier. Renowned for attending the birth of Queen Marie de’ Medici’s son, the future Louis XIII, La Boursier authored one of the earliest French obstetrical treatises to incorporate anatomical observations, becoming the first woman in France to publish a medical text. 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In 1993, in a performance staged in conjunction with the Venice Biennale, Geers literally rewrote the story of his life: he abandoned his given names, Jacobus Hermanus Pieter, in favour of Kendall, and changed his date of birth to May 1968. In doing so, he severed his biographical connection to his origins, particularly to his father, whom he associated with colonialism, apartheid, and right-wing politics. Throughout his practice, life and work become intertwined in powerful acts of détournement, through which he explores violence, sex, fear, terror, and social and political anxiety across different media and forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor this visceral project, Geers subjected every copy of the edition to gunfire, firing six or seven rounds through each book at close range before its release. 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