{"product_id":"periodical-5","title":"Periodical #5","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis loose lithograph on a found magazine page, featuring a portrait of a very young Cybill Shepherd, was likely torn from \u003c\/span\u003e\u003cem\u003ePeriodical #5\u003c\/em\u003e\u003cspan\u003e, in which Robert Heinecken shuffled pages drawn from popular magazines and lithographed over them with atrocious images of American soldiers in Vietnam. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe performative nature of Robert Heinecken’s rare printed matter is transgressive. Beginning in 1969, Heinecken collected and dismantled magazines, developing a major body of work that explored contemporary imagery. Politically charged, his practice conceived of the artist’s book not as a static object but as a performative field. He often returned his altered magazines to newsstands, where they operated as acts of infiltration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHeinecken’s interventions into mass media can be placed in dialogue with Martha Rosler’s seminal photomontage series \u003c\/span\u003e\u003cem\u003eBringing the War Home\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e(1967–72), as both reveal the ideological mechanisms through which violence is mediated and consumed.\u003c\/span\u003e\u003c\/p\u003e","brand":"Metabooks","offers":[{"title":"Default Title","offer_id":54402495414611,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/8898\/6963\/files\/Heinecken_periodical5.png?v=1784982355","url":"https:\/\/metabooks.art\/products\/periodical-5","provider":"Metabooks","version":"1.0","type":"link"}