{"product_id":"three-thirty-and-fifty-one","title":"Three Thirty and Fifty One","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJarosław Kozłowski is one of the most influential Polish conceptual artists of his generation. For more than six decades, his practice has been marked by an obsessive investigation into language and time. Since the late 1980s, the representation of time and the concept of spacetime have been recurrent topics in his work: \u003cem\u003eYellow Time, Red Time, Blue Time \u003c\/em\u003e(1988); \u003cem\u003eBlue Fragments III \u003c\/em\u003e(1990); \u003cem\u003ePersonal Files \u003c\/em\u003e(1993); \u003cem\u003eTime Declensions\u003c\/em\u003e (1995); \u003cem\u003eTime Vacuum II \u003c\/em\u003e(1997); \u003cem\u003eCistern of Time\u003c\/em\u003e (2006); and \u003cem\u003eArchive of Time\u003c\/em\u003e (2015).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis artist’s book belongs to the broader series\u003cem\u003e Exercises in Color \u003c\/em\u003e(1988-89), which exists in both unique photographic work and artist’s book. It comprises eight photographs of wristwatches with their displays painted in a Baldessari-like palette of colours, accompanied by descriptive captions indicating the positions of the clock hands. \u003cmeta charset=\"utf-8\"\u003eMinimal yet sophisticated, the book anticipates by more than two decades Christian Marclay’s \u003cem\u003eThe Clock\u003c\/em\u003e (2010) and Caragh Thuring’s \u003cem\u003eWatch\u003c\/em\u003e (2014), both of which are part of the Metabooks collection.\u003c\/span\u003e\u003c\/p\u003e","brand":"Metabooks","offers":[{"title":"Default Title","offer_id":54638968373587,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/8898\/6963\/files\/DSC4495.png?v=1787230509","url":"https:\/\/metabooks.art\/products\/three-thirty-and-fifty-one","provider":"Metabooks","version":"1.0","type":"link"}