1971.7.4: P.M. 2:00-4:00
Hideki Yoshida
1976
1971.7.4: P.M. 2:00-4:00
1971.7.4: P.M. 2:00-4:00
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Released in 1976, this conceptual “exercise in style” is among the final artists’ books published by Beau Geste Press, and the last publication listed by Alice Motard in her catalogue devoted to the press. It ...
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1971.7.4: P.M. 2:00-4:00
Hideki Yoshida
1976
Cranleigh: Beau Geste Press
Unpaginated [32 pages]
14.5 × 18.8 cm
Edition of 850

Released in 1976, this conceptual “exercise in style” is among the final artists’ books published by Beau Geste Press, and the last publication listed by Alice Motard in her catalogue devoted to the press. It comprises a sequence of photographs depicting an ephemeral landscape: a rectangle of sand gradually engulfed by the sea. In the summer of 1986, 500 copies of the publication were sold as part of the Japanese edition of the “Schmuck” anthology. Intended to be read sideways, horizontally, this meditative flip book unfolds like a visual haiku.

Cranleigh: Beau Geste Press
Unpaginated [32 pages]
14.5 × 18.8 cm
Edition of 850

Released in 1976, this conceptual “exercise in style” is among the final artists’ books published by Beau Geste Press, and the last publication listed by Alice Motard in her catalogue devoted to the press. It comprises a sequence of photographs depicting an ephemeral landscape: a rectangle of sand gradually engulfed by the sea. In the summer of 1986, 500 copies of the publication were sold as part of the Japanese edition of the “Schmuck” anthology. Intended to be read sideways, horizontally, this meditative flip book unfolds like a visual haiku.

DESCRIPTION

Released in 1976, this conceptual “exercise in style” is among the final artists’ books published by Beau Geste Press, and the last publication listed by Alice Motard in her catalogue devoted to the press. It comprises a sequence of photographs depicting an ephemeral landscape: a rectangle of sand gradually engulfed by the sea. In the summer of 1986, 500 copies of the publication were sold as part of the Japanese edition of the “Schmuck” anthology. Intended to be read sideways, horizontally, this meditative flip book unfolds like a visual haiku.

Cranleigh: Beau Geste Press
Unpaginated [32 pages]
14.5 × 18.8 cm
Edition of 850

Released in 1976, this conceptual “exercise in style” is among the final artists’ books published by Beau Geste Press, and the last publication listed by Alice Motard in her catalogue devoted to the press. It comprises a sequence of photographs depicting an ephemeral landscape: a rectangle of sand gradually engulfed by the sea. In the summer of 1986, 500 copies of the publication were sold as part of the Japanese edition of the “Schmuck” anthology. Intended to be read sideways, horizontally, this meditative flip book unfolds like a visual haiku.

MORE BOOKS

Released in 1976, this conceptual “exercise in style” is among the final artists’ books published by Beau Geste Press, and the last publication listed by Alice Motard in her catalogue devoted to the press. It comprises a sequence of photographs depicting an ephemeral landscape: a rectangle of sand gradually engulfed by the sea. In the summer of 1986, 500 copies of the publication were sold as part of the Japanese edition of the “Schmuck” anthology. Intended to be read sideways, horizontally, this meditative flip book unfolds like a visual haiku.

MORE BOOKS