Week Programma Amsterdam
stanley brouwn
1970
Week Programma Amsterdam
Week Programma Amsterdam
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This cultural information booklet includes a contribution by Stanley Brouwn in the centre spread, featuring a street map of Amsterdam's Kinkerstraat neighbourhood with a printed arrow on Kinkerstraat pointing towards La Paz. A text on ...
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Week Programma Amsterdam
stanley brouwn
1970
Amsterdam: Week Programma Amsterdam
40 pages
24 × 16 cm

This cultural information booklet includes a contribution by Stanley Brouwn in the centre spread, featuring a street map of Amsterdam's Kinkerstraat neighbourhood with a printed arrow on Kinkerstraat pointing towards La Paz. A text on the lower right-hand page reads: "stanley brouwn. la paz. the section of Kinkerstraat between Nassaukade and Bilderdijkstraat points exactly in the direction of La Paz. On 6 December at 10 o'clock, at the above-mentioned location, stanley brouwn will walk 100 steps in the direction of La Paz." [loosely translated from Dutch] 


 


La Paz was both the title of Brouwn's conceptual art exhibition at the Stedelijk Museum Schiedam and of the accompanying publication. The project invited participants to follow directional arrows and walk prescribed distances aligned with cities around the world, transforming orientation and movement into conceptual gestures. Like many of Brouwn's works, this intervention reflects his obsession with numerical and directional systems in place of conventional visual representation.


 


Listed in Harry Ruhé's Stanley Brouwn: A Chronology, this Weekprogramma leaflet is among the most elusive pieces of Brouwn's printed ephemera.

Amsterdam: Week Programma Amsterdam
40 pages
24 × 16 cm

This cultural information booklet includes a contribution by Stanley Brouwn in the centre spread, featuring a street map of Amsterdam's Kinkerstraat neighbourhood with a printed arrow on Kinkerstraat pointing towards La Paz. A text on the lower right-hand page reads: "stanley brouwn. la paz. the section of Kinkerstraat between Nassaukade and Bilderdijkstraat points exactly in the direction of La Paz. On 6 December at 10 o'clock, at the above-mentioned location, stanley brouwn will walk 100 steps in the direction of La Paz." [loosely translated from Dutch] 

 

La Paz was both the title of Brouwn's conceptual art exhibition at the Stedelijk Museum Schiedam and of the accompanying publication. The project invited participants to follow directional arrows and walk prescribed distances aligned with cities around the world, transforming orientation and movement into conceptual gestures. Like many of Brouwn's works, this intervention reflects his obsession with numerical and directional systems in place of conventional visual representation.

 

Listed in Harry Ruhé's Stanley Brouwn: A Chronology, this Weekprogramma leaflet is among the most elusive pieces of Brouwn's printed ephemera.

DESCRIPTION

This cultural information booklet includes a contribution by Stanley Brouwn in the centre spread, featuring a street map of Amsterdam's Kinkerstraat neighbourhood with a printed arrow on Kinkerstraat pointing towards La Paz. A text on the lower right-hand page reads: "stanley brouwn. la paz. the section of Kinkerstraat between Nassaukade and Bilderdijkstraat points exactly in the direction of La Paz. On 6 December at 10 o'clock, at the above-mentioned location, stanley brouwn will walk 100 steps in the direction of La Paz." [loosely translated from Dutch] 

 

La Paz was both the title of Brouwn's conceptual art exhibition at the Stedelijk Museum Schiedam and of the accompanying publication. The project invited participants to follow directional arrows and walk prescribed distances aligned with cities around the world, transforming orientation and movement into conceptual gestures. Like many of Brouwn's works, this intervention reflects his obsession with numerical and directional systems in place of conventional visual representation.

 

Listed in Harry Ruhé's Stanley Brouwn: A Chronology, this Weekprogramma leaflet is among the most elusive pieces of Brouwn's printed ephemera.

Amsterdam: Week Programma Amsterdam
40 pages
24 × 16 cm

This cultural information booklet includes a contribution by Stanley Brouwn in the centre spread, featuring a street map of Amsterdam's Kinkerstraat neighbourhood with a printed arrow on Kinkerstraat pointing towards La Paz. A text on the lower right-hand page reads: "stanley brouwn. la paz. the section of Kinkerstraat between Nassaukade and Bilderdijkstraat points exactly in the direction of La Paz. On 6 December at 10 o'clock, at the above-mentioned location, stanley brouwn will walk 100 steps in the direction of La Paz." [loosely translated from Dutch] 

 

La Paz was both the title of Brouwn's conceptual art exhibition at the Stedelijk Museum Schiedam and of the accompanying publication. The project invited participants to follow directional arrows and walk prescribed distances aligned with cities around the world, transforming orientation and movement into conceptual gestures. Like many of Brouwn's works, this intervention reflects his obsession with numerical and directional systems in place of conventional visual representation.

 

Listed in Harry Ruhé's Stanley Brouwn: A Chronology, this Weekprogramma leaflet is among the most elusive pieces of Brouwn's printed ephemera.

MORE BOOKS

This cultural information booklet includes a contribution by Stanley Brouwn in the centre spread, featuring a street map of Amsterdam's Kinkerstraat neighbourhood with a printed arrow on Kinkerstraat pointing towards La Paz. A text on the lower right-hand page reads: "stanley brouwn. la paz. the section of Kinkerstraat between Nassaukade and Bilderdijkstraat points exactly in the direction of La Paz. On 6 December at 10 o'clock, at the above-mentioned location, stanley brouwn will walk 100 steps in the direction of La Paz." [loosely translated from Dutch] 

 

La Paz was both the title of Brouwn's conceptual art exhibition at the Stedelijk Museum Schiedam and of the accompanying publication. The project invited participants to follow directional arrows and walk prescribed distances aligned with cities around the world, transforming orientation and movement into conceptual gestures. Like many of Brouwn's works, this intervention reflects his obsession with numerical and directional systems in place of conventional visual representation.

 

Listed in Harry Ruhé's Stanley Brouwn: A Chronology, this Weekprogramma leaflet is among the most elusive pieces of Brouwn's printed ephemera.

MORE BOOKS