Futura 14 bis 26
Carlo Belloli, Jonathan Williams, Hiro Kamimura, Wolfgang Schmidt, Pierre Garnier, Bob Cobbing, Edwin Morgan, Dick Higgins, Wolf Vostell, Herman de Vries, Peter Schmidt, Andre Thomkins, Robert Filliou
1966-1968
Produced by poet and printer Hansjörg Mayer in Stuttgart between 1965 and 1968, the “futura” series explored the poetic potential of typography through a sequence of 26 broadsides. Each issue featured an exercise in style ...
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Stuttgart: Edition Hansjörg Mayer
13 folded posters
24 × 16 cm

Produced by poet and printer Hansjörg Mayer in Stuttgart between 1965 and 1968, the futura” series explored the poetic potential of typography through a sequence of 26 broadsides. Each issue featured an exercise in style by a different artist or poet, who was given complete freedom to experiment with the expressive possibilities of language-based art.


 


The broadsides were subsequently issued in two collectible volumes, each comprising 13 works. The second volume brings together contributions by Carlo Belloli, Jonathan Williams, Hiro Kamimura, Wolfgang Schmidt, Pierre Garnier, Bob Cobbing, Edwin Morgan, Dick Higgins, Wolf Vostell, Herman de Vries, Peter Schmidt, Andre Thomkins, and Robert Filliou, offering a remarkable survey of the international concrete and experimental poetry movement.

Stuttgart: Edition Hansjörg Mayer
13 folded posters
24 × 16 cm

Produced by poet and printer Hansjörg Mayer in Stuttgart between 1965 and 1968, the futura” series explored the poetic potential of typography through a sequence of 26 broadsides. Each issue featured an exercise in style by a different artist or poet, who was given complete freedom to experiment with the expressive possibilities of language-based art.

 

The broadsides were subsequently issued in two collectible volumes, each comprising 13 works. The second volume brings together contributions by Carlo Belloli, Jonathan Williams, Hiro Kamimura, Wolfgang Schmidt, Pierre Garnier, Bob Cobbing, Edwin Morgan, Dick Higgins, Wolf Vostell, Herman de Vries, Peter Schmidt, Andre Thomkins, and Robert Filliou, offering a remarkable survey of the international concrete and experimental poetry movement.

DESCRIPTION

Produced by poet and printer Hansjörg Mayer in Stuttgart between 1965 and 1968, the futura” series explored the poetic potential of typography through a sequence of 26 broadsides. Each issue featured an exercise in style by a different artist or poet, who was given complete freedom to experiment with the expressive possibilities of language-based art.

 

The broadsides were subsequently issued in two collectible volumes, each comprising 13 works. The second volume brings together contributions by Carlo Belloli, Jonathan Williams, Hiro Kamimura, Wolfgang Schmidt, Pierre Garnier, Bob Cobbing, Edwin Morgan, Dick Higgins, Wolf Vostell, Herman de Vries, Peter Schmidt, Andre Thomkins, and Robert Filliou, offering a remarkable survey of the international concrete and experimental poetry movement.

Stuttgart: Edition Hansjörg Mayer
13 folded posters
24 × 16 cm

Produced by poet and printer Hansjörg Mayer in Stuttgart between 1965 and 1968, the futura” series explored the poetic potential of typography through a sequence of 26 broadsides. Each issue featured an exercise in style by a different artist or poet, who was given complete freedom to experiment with the expressive possibilities of language-based art.

 

The broadsides were subsequently issued in two collectible volumes, each comprising 13 works. The second volume brings together contributions by Carlo Belloli, Jonathan Williams, Hiro Kamimura, Wolfgang Schmidt, Pierre Garnier, Bob Cobbing, Edwin Morgan, Dick Higgins, Wolf Vostell, Herman de Vries, Peter Schmidt, Andre Thomkins, and Robert Filliou, offering a remarkable survey of the international concrete and experimental poetry movement.

MORE BOOKS

Produced by poet and printer Hansjörg Mayer in Stuttgart between 1965 and 1968, the futura” series explored the poetic potential of typography through a sequence of 26 broadsides. Each issue featured an exercise in style by a different artist or poet, who was given complete freedom to experiment with the expressive possibilities of language-based art.

 

The broadsides were subsequently issued in two collectible volumes, each comprising 13 works. The second volume brings together contributions by Carlo Belloli, Jonathan Williams, Hiro Kamimura, Wolfgang Schmidt, Pierre Garnier, Bob Cobbing, Edwin Morgan, Dick Higgins, Wolf Vostell, Herman de Vries, Peter Schmidt, Andre Thomkins, and Robert Filliou, offering a remarkable survey of the international concrete and experimental poetry movement.

MORE BOOKS