Paso de Peatones [2]
Gabriel Macotela, Yani Pecanins, Walter Doehner
1978
Paso de Peatones was an art and literature magazine published under the imprint of Cocina Ediciones between 1977 and 1980. Poets and artists were invited to reflect on their experiences of Mexico City through drawings, ...
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Paso de Peatones [2]
Gabriel Macotela, Yani Pecanins, Walter Doehner
1978
Mexico City: Cocina Ediciones Marginales
40 pages
21 × 16.5 cm
Edition of 300

Paso de Peatones was an art and literature magazine published under the imprint of Cocina Ediciones between 1977 and 1980. Poets and artists were invited to reflect on their experiences of Mexico City through drawings, collages, and texts. Published by Cocina Ediciones, one of the historically significant independent presses of Mexico’s publishing “golden age”, the periodical was edited by Gabriel Macotela, Yani Pecanins, and Walter Doehner.


 


This is the second issue of the magazine, featuring contributions by Santiago Rebolledo, Fidel Acevedo, Arturo Coridoba, Roberto Fernandez, Jesus Reyes, Susana Avilés, Jorge Mancera, Carlos Aranda, Dominique Legrand, Rene Freire, Francisco Martinez, Moises de la Pena, Manuel Zavala, as well as the three editors. Its contents range from the deeply poetic to the overtly political, reflecting the diverse artistic and literary currents of Mexico City at the time.


 


Extremely rare today, copies of Paso de Peatones are held in the collections of the University Museum of Contemporary Art and El Archivero in Mexico City, as well as in the artists’ book collections of the Museum of Modern Art (MoMA) and the University of California in the United States, among other institutions.

Mexico City: Cocina Ediciones Marginales
40 pages
21 × 16.5 cm
Edition of 300

Paso de Peatones was an art and literature magazine published under the imprint of Cocina Ediciones between 1977 and 1980. Poets and artists were invited to reflect on their experiences of Mexico City through drawings, collages, and texts. Published by Cocina Ediciones, one of the historically significant independent presses of Mexico’s publishing “golden age”, the periodical was edited by Gabriel Macotela, Yani Pecanins, and Walter Doehner.

 

This is the second issue of the magazine, featuring contributions by Santiago Rebolledo, Fidel Acevedo, Arturo Coridoba, Roberto Fernandez, Jesus Reyes, Susana Avilés, Jorge Mancera, Carlos Aranda, Dominique Legrand, Rene Freire, Francisco Martinez, Moises de la Pena, Manuel Zavala, as well as the three editors. Its contents range from the deeply poetic to the overtly political, reflecting the diverse artistic and literary currents of Mexico City at the time.

 

Extremely rare today, copies of Paso de Peatones are held in the collections of the University Museum of Contemporary Art and El Archivero in Mexico City, as well as in the artists’ book collections of the Museum of Modern Art (MoMA) and the University of California in the United States, among other institutions.

DESCRIPTION

Paso de Peatones was an art and literature magazine published under the imprint of Cocina Ediciones between 1977 and 1980. Poets and artists were invited to reflect on their experiences of Mexico City through drawings, collages, and texts. Published by Cocina Ediciones, one of the historically significant independent presses of Mexico’s publishing “golden age”, the periodical was edited by Gabriel Macotela, Yani Pecanins, and Walter Doehner.

 

This is the second issue of the magazine, featuring contributions by Santiago Rebolledo, Fidel Acevedo, Arturo Coridoba, Roberto Fernandez, Jesus Reyes, Susana Avilés, Jorge Mancera, Carlos Aranda, Dominique Legrand, Rene Freire, Francisco Martinez, Moises de la Pena, Manuel Zavala, as well as the three editors. Its contents range from the deeply poetic to the overtly political, reflecting the diverse artistic and literary currents of Mexico City at the time.

 

Extremely rare today, copies of Paso de Peatones are held in the collections of the University Museum of Contemporary Art and El Archivero in Mexico City, as well as in the artists’ book collections of the Museum of Modern Art (MoMA) and the University of California in the United States, among other institutions.

Mexico City: Cocina Ediciones Marginales
40 pages
21 × 16.5 cm
Edition of 300

Paso de Peatones was an art and literature magazine published under the imprint of Cocina Ediciones between 1977 and 1980. Poets and artists were invited to reflect on their experiences of Mexico City through drawings, collages, and texts. Published by Cocina Ediciones, one of the historically significant independent presses of Mexico’s publishing “golden age”, the periodical was edited by Gabriel Macotela, Yani Pecanins, and Walter Doehner.

 

This is the second issue of the magazine, featuring contributions by Santiago Rebolledo, Fidel Acevedo, Arturo Coridoba, Roberto Fernandez, Jesus Reyes, Susana Avilés, Jorge Mancera, Carlos Aranda, Dominique Legrand, Rene Freire, Francisco Martinez, Moises de la Pena, Manuel Zavala, as well as the three editors. Its contents range from the deeply poetic to the overtly political, reflecting the diverse artistic and literary currents of Mexico City at the time.

 

Extremely rare today, copies of Paso de Peatones are held in the collections of the University Museum of Contemporary Art and El Archivero in Mexico City, as well as in the artists’ book collections of the Museum of Modern Art (MoMA) and the University of California in the United States, among other institutions.

MORE BOOKS

Paso de Peatones was an art and literature magazine published under the imprint of Cocina Ediciones between 1977 and 1980. Poets and artists were invited to reflect on their experiences of Mexico City through drawings, collages, and texts. Published by Cocina Ediciones, one of the historically significant independent presses of Mexico’s publishing “golden age”, the periodical was edited by Gabriel Macotela, Yani Pecanins, and Walter Doehner.

 

This is the second issue of the magazine, featuring contributions by Santiago Rebolledo, Fidel Acevedo, Arturo Coridoba, Roberto Fernandez, Jesus Reyes, Susana Avilés, Jorge Mancera, Carlos Aranda, Dominique Legrand, Rene Freire, Francisco Martinez, Moises de la Pena, Manuel Zavala, as well as the three editors. Its contents range from the deeply poetic to the overtly political, reflecting the diverse artistic and literary currents of Mexico City at the time.

 

Extremely rare today, copies of Paso de Peatones are held in the collections of the University Museum of Contemporary Art and El Archivero in Mexico City, as well as in the artists’ book collections of the Museum of Modern Art (MoMA) and the University of California in the United States, among other institutions.

MORE BOOKS